It's been awhile since I watched an underrated movie that I like, so this time I'll just do a brief roundup of the recent movies I watched. It's blockbuster season again, and we welcome back cinematic explosions and men in tights.
My limited time now means that whatever entertainment I indulge in, I have to make sure that the enjoyment is guaranteed, that means I can ill afford to experiment with my movies and have to watch the well-rated mainstream ones. That's also why I'm still single, I mean committing to a woman does not guarantee success these days heheh.
1) Godzilla (2014)
When I first learned about this movie, I went "Really? But why?" and did not think much about it. The 1998 Roland Emmerich version is forgettable, even if slightly enjoyable, so I wondered why another adaptation was deemed necessary. But when the Asian trailer came out, it showed another monster and I decided I had to watch it, as that has to mean that Godzilla is not the antagonist, like the role he plays in the 1998 version. But I did wonder, as to why they revealed the inclusion of the winged monster (Muto) in that trailer.
I cannot answer that without spoiling it for you, but suffice for me to say that this is the strength of the movie, minor plot twists throughout the movie. Enough to get you surprised, but not to make it the focus of the movie without them feeling ham-fisted.
The director took something that could be straight forward and unmemorable in the hands of lesser directors, and made the movie stand out. And Bryan Cranston's casting made the human element of the monster movie better. And I'm not a fan of the Japanese Godzilla, but other Internet users say that this version is more accurate to the original character. My only gripe is that there is not enough monster battle, something that I share with many other viewers. However, I concur that something as awe-inspiring as the sight of two monsters levelling San Francisco must be shown in moderation, or the excess will detract from the experience. Godzilla gets a 8/10 from me.
2) Edge of Tomorrow
I just watched this science fiction flick yesterday, and it was an enjoyable experience. It's nothing to shout about, but it's good nonetheless. A soldier, played by Tom Cruise, who is forcefully-conscripted to fight in an alien invasion finds himself reliving the same day over and over again every time he dies, which means that he is able to train himself and learn about the true nature of the aliens, with the help of a war hero played by a blonde Emily Blunt. So it's like a combination of Starship Troopers, Groundhog Day and the first 30 minutes of Saving Private Ryan.
The effects are cool, the plot okay and the chemistry between Tom Cruise and Emily Blunt is believable. The best part of the movie is when the point of view unknowingly shifts from Tom Cruise's character to Emily Blunt's, so the viewers are left wondering whether what is happening on the screen is happening for the first time or it has happened before to him. I give it a 7/10 too. By the way this movie is originally from a Japanese teen novel titled 'All You Need is Kill'. P/S: I would shamelessly ignore the war effort and die repeatedly if that means being greeted by a stretching Emily Blunt every time. Watch it and you'll understand.
3) X-Men: Days of Future Past
Admittedly, after the suck-fest that was X-Men 3 I would have given DOFP a miss. But First Class sort of revived the franchise so I gave DOFP a chance, although I was still reluctant that the inclusion of the previous franchise's cast would bring along the bloated-ness associated with it, and with Hugh Jackman's Wolverine. I was glad that aside from being an enjoyable movie, DOFP is also able to do something else important to the franchise, ret-con it and open a new chapter for movie X-Men.
Now if you're not familiar with comic books, to ret-con something means to change the history of a character, to give it a clean slate. This happens a lot, especially with long-running and famous characters. It is understandable, after all after 50, 60 years of publication, there is not much wiggle room left from which to advance the plot. Sometimes it is done casually without much explanation given as to the changes minor or major, a lot of times some supernatural of pseudo-science reasons are given such as time-travel, ripples in the space-time continuum, or magic. It's a bit silly, sure, but still necessary for the longevity of the character and the comic book medium itself. The most recent one is the retconning of the DC Comics universe, now dubbed the New-52.
This is what happens in DOFP. In the future, mutants are hunted by shape-sifting robots Sentinels, and Professor X (Patrick Stewart), Magneto (Ian Mckellen) band together with Kitty Pride, Storm and Blink to send Wolverine back through time to stop an event which brought about the creation of the Sentinels, and eventual the destruction of mutants. In the 1970's Wolverine finds Professor X and Magneto's younger selves to enlist their help in stopping the event.
I love this movie on account of them embracing ret-conning as a tool in their storytelling, much like in the comic books. And they utilise it well, as a lot of times when it is employed in the comics, the writers are criticised for the decision by the readers. Without going into too much detail, in DOFP it is part of the story via time-travel, and it also erases the bloated X2 and X3 from the equation. Furthermore, it also buries the whole humans-are-afraid-of-mutants plot that has always been the main source of conflict in the franchise. There are only so many times that that story can be told. It will be replaced by a new big bad altogether, so please stay until the final credit. DOFP gets a 7/10 from me.
