Showing posts with label action movies. Show all posts
Showing posts with label action movies. Show all posts

Reading is bad - A Captain America: Civil War review


I've mentioned before that as a normal, male movie-watcher, I can't help but be sucked in by all the superhero movies. Sure, I've also been watching normal, non-superhero movies, but they're not worth writing about here. I haven't been writing about superhero movies either, because for the most part share the opinions most people have about the; that they are enjoyable movies with surprisingly tight plot (at least Marvel Studios ones. Dawn of Justice? Eeesshh.)

Until Captain America: Civil War.

A bit of background is due. I didn't grow up with superhero comic books, and even when I had the means, I mostly read DC Comics. The only Marvel comics I read was the Civil War titles, and it was because they were arranged so it was easy for casual readers like me to follow the story.

Up until Captain America: Civil War, I had enjoyed all of Marvel Studios movies, and I think the previous two Cap movies were among the most brilliant movies by the company.

Even after two viewings, I was left feeling unsatisfied by Civil War, and they were mainly caused by the fact that I could not stop comparing the movie with the source material, among the few Marvel comics that I've read.

One of my biggest gripes towards the movie is the reason behind the clash between Cap and Iron Man. In the comics the reason is the Superhero Registration Act, following an incident involving minor-level costumes that caused an explosion near a school that killed a lot of children, which Captain America could not bring himself to accept. So it was a battle of principals, between the freedom-loving one-time poster boy of Uncle Sam, and Tony Stark, who is essentially a businessman who knows when to cut his losses and play ball with the government.

But in the movie, it is essentially about Cap's brainwashed former bestfriend-turned frenemy Winter Soldier, and whether he is guilty for countless murders. Yes there is the Sokovia Agreement, but it only plays a part for around half an hour, and the conflict in the movie hinges more on whether Cap is going to go with Winter Soldier or Iron Man, like little kids at the playground. And in the end, after the big revelation that buries dead Stark's chance of ever accepting Bucky as a troubled man, when Cap reveals that he has known all along what the Winter Soldier did and hides it from Stark's knowledge, Cap gives a cop-out explanation; "I thought I did it to protect you, but it was actually to protect me," or some such. Really weak there. 

Furthermore, the reveal of the mastermind behind the whole schism, and the reason for doing it, feels really off. I mean this character is a pretty iconic character in the comics, but they've turned it lame.

My second complaint is that the movie feels small. In the comics the story arc involves almost all characters and titles owned by the company, so it is massive.

The movie only had Iron Man, Cap, Black Widow, Spidey, Ant-Man, Falcon, Winter Soldier, Hawkeye, War Machine, Black Panther and Vision. Sure it was a massive achievement getting all these characters and (stars) to be in the movie, but it still felt lacking, knowing that they purposely leave out Thor and Hulk, who supposedly are in the third Thor movie, and knowing that there are more characters on the tv side of Marvel Cinematics Universe that have been left unused. Guys like Daredevil, Jessica Jones, Punisher, SHIELD guys. I have a feeling that they had to rush Spider-Man and Black Panther in because the roster felt a little small.

In fact I've had this reservation ever since the movie was first announced, finding it weird that it was going to be filmed as a Captain America title, instead of an Avengers one, as it involved almost all MCU characters. I have a feeling that this would be better as an Avengers title further down the line, when they have introduced more characters such as Luke Cage, Iron Fist, Doctor Strange and Captain Marvel, and only after they are done with Avengers: Infinity War. If one movie is too cramped to star all these guys, then make it a two-parter, like what they are planning to do with IW.

My next point is one of the criticisms many people have towards MCU movies; that the ending bears very few consequences. The comics end with many characters dying, on both sides of the divide, including one major character, but the movie's ending feels like all that has happened earlier, all the heartaches, all the betrayals, are simply swept under the carpet. Sure, as a business you can't afford to kill off your bankable characters (funnily enough, this doesn't apply to Game of Thrones) but there are still places you can go to without offing your hero.

I have a few other complaints about the movie, the first MCU movie that left me feeling disappointed, but the above are the ones that concern me having already read the source material. Sometimes I wonder if I would have enjoyed it more if I haven't read the comics first.

The GOOD: SpiderMan steals the show, and I really enjoy the fact that he is played by someone who actually looks like a teenager for a change.

The BAD: The mastermind has been normalled-down as compared to his original comics counterpart.

My VERDICT: 6.5/10. It's still enjoyable, but after the very strong and intriguing Cap 1 and 2, it seems like when it comes to superhero movies, the third outing will almost always fail to reach the previous heights. Case in point, The Dark Knight Rises, Sam Raimi's Spiderman 3, X-Men 3 and the recently-released X-Men: Apocalypse.

TRIVIA: In the comics, the Superhero Registration Act would require all costumed superheroes to register their secret identity with the government, but that would not work in the movies as most of their identities are already publicly known, or at least known by the government.

Kiss Kiss Bang Bang (2005)


Robert Downey Jr is so hot right now. He's been playing Tony Stark and Sherlock Holmes these past few years, and good for him. But you may not remember the time when his name was a punchline, due to his drugs and alcohol addiction. Below is just one example from that period, from The Simpsons.


For some time, movie studios refused to cast him in their movies, considering him a liability. But Shane Black, the king of 90's buddy cop/action movies writer (Last Action Hero, Last Boy Scout, Lethal Weapon), wanted to make his debut as a director. That movie was Kiss Kiss Bang Bang (2005), adapted from Brett Halliday's novel Bodies Are Where You Find Them. Somehow Black managed to convince the studio to hire Downey Jr as the protagonist, and the movie would hail his return to the forefront of Hollywood.

The movie is about a thief, Harry Lockhart (RDJ) who is unwittingly used as a lure in a Hollywood movie, in order for the studio to lure the actual star they want. A gay private investigator (Val Kilmer) was assigned to provide him with training, but they inadvertently get involved in a Hollywood conspiracy involving murders, and Harry's childhood sweetheart.

The chemistry between Kilmer and RDJ shines through in this movie, and they channeled Black's trademark razor sharp and witty script well. The conspiracy is believable and never loses the audience's interest, peppered with dark humour that never goes away, as it so happens in other black comedies.

The GOOD: Tight and good script that manages to be funny too. A topless Michelle Monaghan

My VERDICT: this movie is a tight 7.5/10

TRIVIA: As RDJ gained more success as Marvel's Iron Man after his comeback in this movie, he and Black would team up again in Iron Man 3 (2013). The movie would feature his trademark fast-talking, buddy action (Stark and Rhodes) and sense of humour, which gelled well with Marvel Cinematic Universe's brand humour. And it's quite well-made, at least better than Iron Man 2.

Death Race (2008)


Hey everyone. Apologies, long hiatus, work, etc, etc, etc. Now that's out of the way, let's get down to business. I don't know whether I give off the art-house, elitist aficionado vibe, but I do enjoy straight-to-the-point action movies. Nothing wrong with them, but I think the biggest mistake that these kinds of movies make is taking themselves too seriously.

This is why I like Death Race (2008), starring Jason Statham as Jason Statham. OK I jest, but seriously, dude plays himself in all his movies. Anyway, he plays a wrongfully-accused convict in a depression-era near future, who is sent to prison for the crime of murdering his wife. He is then made to take part in a violent car race with the other convicts that is televised to the whole world by the prison warden, in order to gain his freedom and be reunited with his daughter.

I mean that's the gist of it. I don't want to tell you more, because it's a movie about a violent car race. You have to see it for yourselves. Think 18SG Speed Racer. 

What I really like about the movie is that the director Paul W. S. Anderson, understands that it is an action movie and gets straight down to business. You can scarcely catch your breath before the carpet is wrung from underneath you and you're thrown into another action sequence. The movie knows its lead is an actor with the acting chops of a dinner table, so it does not try to veer into dramatic scenes for long. It's one car race scene after another. Come to think of it, it could be that the pacing was a necessity after all, and not an artistic decision.

Which is why I can't stand the Fast and Furious franchise. It's also about dudes who race cars (or used to be), but they always make it melodramatic. "You're my best friend, how could you betray me?!" "How could you pretend you were dead all this while we grieved for you?!" Shut your pie hole, Vinnie D.

I remember thinking to myself right after the credit starts rolling: "Hmm, that was...efficient." The busier I get these days, and the less time I have to watch movies I have, the more I think that more movies should be like this. If they know that they are no Inception or A Few Good Men, be quick about it and show us the good bits. Enough talking and DEFINITELY no crying please. No way they're gonna really convince us that the giant space-faring robots are TOTALLY GOING TO DESTROY EARF, GUIZZZE, we can't really relate to the threat on the life of the US president that is posed by the Muslim but suspiciously multi-racial looking terrorists, and yeah you paid too much for the lead actress so now you have to shoehorn her naked quivering form into an awkward love scene to make it worth it.

Intro set piece, exposition, car chase, final exposition, second set piece, plot twist, final set piece, boom! Movie's over in under 90 minutes, $100 mil in worldwide collection, 55-65 rating on Metacritic. That's how it should be done.

The GOOD: Enjoyable for an action movie, and does not overstay its welcome with our attention.
My VERDICT: 7/10. Knows what it's supposed to do, and does it well.
TRIVIA: This movie is actually a remake of Death Race 2000 (1975), starring David Carradine and Sylvester Stallone.